ACTION IN THE NORTH ATLANTIC
VHS only

DESTINATION TOKYO
DVD

The offbeat casting of Cary Grant as a submarine captain pays off in this tense WWII underwater picture; he ably trades in his sophistication for the sweaty close quarters of an action movie. The mission? Infiltrate the mined harbor of Tokyo itself, a feat bookended by a brief confrontation in the Aleutians and a depth-charge chase through the open sea. Skipper Grant is supported by the usual stock crew of Navy melting-pot types, with John Garfield drawing duty as the resident dame-crazy fantasist. (Somebody forgot to put the saltpeter in his chow, apparently.) The solid action alternates with dialogue that tends toward the schmaltzy or jingoistic (the movie's become somewhat notorious for its unusually nasty propagandistic jabs at the Japanese enemy). Destination Tokyo was the directing debut of Delmer Daves, who would later excel in smart Westerns such as 3:10 to Yuma. --Robert Horton

HELLCATS OF THE NAVY
DVD

The "Hellcats of the Navy" are a special branch of the U.S. Navy Submarine Service who did Special Ops. Commander Casey Adams (Ronald Reagan) and the U.S.S. Starfish are sent to bring back sample Japanese mines for the Navy to study. The mission succeeds, but Adams is forced to abandon one of his frogmen, the popular Wes Barton (Harry Lauter). The boat's second in command, Lt. Commander Don Landon (Arthur Franz) second-guesses the captain's decision, since Barton had made advances to the skipper's girlfriend, nurse Helen Blair (Nancy Davis). Landon becomes even more unhappy when he learns Adams turns in a report that says he is a good junior officer but is emotional unfit for command (yes, parts of this movie are going to remind you of "U-157" while others are reminiscent of "Star Trek II: The Wrath of Khan"). On the return mission, the Starfish is lost, but Adams, Landon and some of the men are rescued. Finally, after another successful mission their new sub gets a wire entangled in the rudder and Adams goes below in a diving suit to fix the problem. When a Japanese destroyer bears down on the sub, Landon gives the order to submerge, leaving Adams behind.

This 1957 film directed by Nathan Juran, has the virtue of being based on a novel, "Hellcats of the Sea," written by a couple of Admirals, Charles A. Lockwood (played by Maurice Manson in the film) and Hans Christian Adamson. While it owes its place in cinematic history to the fact it is the only film in which Ron and Nancy Reagan appeared together, the strength of "Hellcats of the Navy" is the treatment of command decisions and the morality of leadership. This is a movie that you would have thought would have been produced during or shortly after World War II, but since it deals with secret operations it is not a story the Navy would have passed on until years later. This is not a great WW2 submarine film like "Destination Tokyo," but it is not a bad one by any means. Oh, and the scenes between Ron and Nancy? Well, the romantic sub-plot is pretty minimal and their scenes end up being minor curiosities that are somewhat flat when compared to the shots of them just looking at each other during their years in the White House. Amazon.com review

RUN SILENT, RUN DEEP
VHS, DVD

A movie's lasting value can often be measured by its influence in the years and decades following its original release, and on that basis Run Silent, Run Deep is certainly a classic of sorts. It remains one of the seminal World War II submarine pictures, and its intelligent script and tautly executed action are clearly echoed in such later submarine dramas as Das Boot and especially Crimson Tide, which borrows liberally from this 1958 film.

In one of his best and final roles (he appeared in only four films after this), Clark Gable plays a submarine captain without a command, having been saddled with a desk job after his previous ship was destroyed due to his overzealous pursuit of the enemy in dangerous Japanese waters. He finally gets another boat--this time with a vigilant first officer (Burt Lancaster), who stands poised to assume command if Gable puts his crew in unnecessary danger. The tension and mutual respect between these two principled men is superbly written and directed (Robert Wise was just two years away from his triumph with West Side Story), and the crucial inclusion of a strong supporting cast (including Jack Warden and Don Rickles) enhances the movie's compelling authenticity. Based on a novel by former submarine commander Edward L. Beach, Run Silent, Run Deep is rousing entertainment with the added benefit of paying honorable tribute to the men who navigated through the most frightening and claustrophobic channels of the Pacific theater

*Hondo's Note: A great WWII sub movie - however, other than the title, it shares very little in common with the terrific novel by Edward L. Beach   . . . which, IMHO, is a true classic of submarine literature.

TORPEDO RUN
VHS, DVD

Glenn Ford and Ernest Borgnine star in this World War II submarine picture. Ford is the Captain, and Borgnine the Executive Officer who grapple with the most heart rending decision a submarine skipper has to make... risk killing his own family to sink an enemy carrier. The taut drama is well directed and acted. A nice little film to add to your WWII collection. Amazon.com Review
*Hondo's Note: There's some excellent action scenes in this flick with super "special effects" footage of WWII submarine combat.
 

DAS BOOT (The Boat)
VHS, DVD

This is the restored, 209-minute director's cut of Wolfgang Petersen's harrowing and claustrophobic U-boat thriller, which was theatrically rereleased in 1997. Originally made as a six-hour miniseries, this version devotes more time to getting to know the crew before they and their stoic captain (Jürgen Prochnow) get aboard their U-boat and find themselves stranded at the bottom of the sea. Das Boot puts you inside that submerged vessel and explores the physical and emotional tensions of the situation with a vivid, terrifying realism that few movies can match. As Petersen tightens the screws and the submerged ship blows bolts, the pressure builds to such unbearable levels that you may be tempted to escape for a nice walk on solid land in the great outdoors--only you wouldn't dream of looking away from the screen. Amazon.com Review

WE DIVE AT DAWN

The British Second World War film We Dive at Dawn tells of the encounter between a British submarine and a German warship in the Baltic Sea. John Mills gives a dependable performance as the submarine commander, with Eric Portman the pick of a strong supporting cast. Director Anthony Asquith finds the balance between action sequences and "in situ" dialogue, and there's an evocative score from Louis Levy. An underrated film that deserves reappraisal. --Richard Whitehouse, Amazon.co.uk

UP PERISCOPE
VHS, DVD

James Garner is Navy Lieutenant transferred to a U.S. submarine during WW2, with usual interaction among crew as they reconnoiter Japanese held island. WarnerScope.

 

OPERATION PETTICOAT
VHS, DVD

This lightweight World War II comedy is an amiable wade through the South Pacific buoyed largely by Cary Grant's effortless leadership as the commander of a crippled submarine and by Tony Curtis's blue-eyed wiles as his street-hustler of a supply officer. The crew dodges the enemy in a barely seaworthy vessel held together with chewing gum and baling wire (and, in one instance, a woman's girdle!) and painted a blushing bright pink. The close quarters get even tighter when the sub takes on five young army nurses, a couple of Filipino families, and a goat. Though it has little of the zany knockabout humor that marks later Blake Edwards hits like The Pink Panther and 10 and it almost wears out its premise at two hours, this easy-sailing comedy rolls along the gentle wakes from one fine mess to another with good humor and a bevy of coy close-quarters sex gags. --Sean Axmaker

FLYING TIGERS
VHS, DVD

A stirring performance by The Duke in this fictionalized account of the American Volunteer Group, better known as The Flying Tigers. It's typical of the period, a story of American gallantry in the face of the enemy and a side character whose bad deeds are redeemed in a heroic act that ends in death, but for fans of the War Movie genre, John Wayne or just airplanes in general, I have to recommend it as an entertaining flick. The AVG was important to America in the dark times after Pearl Harbor and the methods learned in the skies over China proved crucial for the thousands of airman who were to fly in the war in the South Pacific. Some truly fascinating, behind-the-scenes insights into the making of this movie can be found in a book called "Celluloid Wings," by James Farmer, which is also a must-read for aviation-film fans.

SANDS OF IWO JIMA
VHS, DVD

This classic World War II actioner has Wayne as a tough but compassionate Marine Corps sergeant, John M. Stryker. Tough name, too. Stryker's job is to turn a bunch of raw recruits into a fighting machine. His no-holds-barred approach causes a great amount of friction, not to mention a running subplot concerning his personal life that makes him something of an enigma to his men. The mystery of his past is not fully resolved until the very ending, by which point Stryker is decidedly a war hero. The supporting roles of those who hate Stryker's guts, and who are inevitably won over, are played handsomely by John Agar and Forrest Tucker. Veteran film director Allan Dwan helmed this one, and used real war footage and three of the surviving soldiers who raised the flag on Mt. Suribachi to reenact that momentous event. An engrossing and entertaining war flick all around, boasting one of the Duke's finest, most measured and layered performances. The DVD includes a wonderful making-of featurette hosted by Leonard Maltin, interviewing Wayne's son, John Agar, and some of the military personnel who served as advisors on the film. --Jim Gay

THE FIGHTING SEABEES
VHS, DVD

Spirited WW2 saga of construction company boss Wayne and naval officer O'Keefe tangling professionally and personally, with journalist Hayward the love interest. The scenario charts the manner in which the ``Seabees'' (or battalion of construction worker-soldiers) came to be established. Screenplay by Borden Chase and Aeneas MacKenzie. Action-packed second unit direction by Howard Lydecker.

TORA! TORA! TORA!
VHS, DVD

THEY WERE EXPENDABLE
VHS, DVD

IN HARM'S WAY
VHS, DVD

Otto Preminger's sprawling World War II drama packs a lot into its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbor is bombed while they are on maneuvers. Minutes into WWII, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker

BACK TO BATAAN
DVD

John Wayne and Anthony Quinn star in this touching 1945 drama inspired by real-life heroism in the Philippines following General MacArthur's withdrawal in 1942 and the islands' subsequent conquest by the Japanese army. Wayne plays Colonel Joe Madden, an American who stays behind to organize a ragtag guerrilla army in the forests and hills. At his side is Captain Andres Bonifacio (Quinn), grandson of a legendary revolutionary martyred in the nation's old war against Spanish colonialists. Joe, Andres, and their fearless irregulars (with support from a schoolteacher, played by Beulah Bondi) sap the enemy's resolve through hit-and-run missions, but as time passes the locals wonder, with pronounced disillusionment, why America doesn't return with masses of troops and weapons. Wayne's star power is undeniable, and Quinn is very good as a man uncertain of his role or destiny
 

MIDWAY
VHS, DVD

Six months after the Japanese destroyed the U.S. Pacific fleet at Pearl Harbor, the Americans discovered the Japanese were planning to seize the Naval base at Midway Island--a perfect staging point for invading Hawaii or the mainland. Outnumbered four to one, the Americans won a surprise victory and shattered the backbone of the Japanese Imperial Navy. This 1976 film feels more like a history lesson than a drama, but World War II buffs will appreciate the attention to historical fact (especially the way in which fate and a few bad decisions turned the tide), as well as the generous use of actual battle footage. The all-star cast includes Robert Mitchum, James Coburn, and Cliff Robertson in cameos and a whole slew of familiar TV faces in supporting roles. Hal Holbrook is fun as an oddball intelligence officer. --Geof Miller

GUADALCANAL DIARY
VHS, DVD

This is a far cry from The Thin Red Line, but it's engaging and efficient World War II propaganda about the opening of the South Pacific campaign that would ultimately turn the tide of the war. Anxious and unsuspecting Marines land on the Solomon Islands and quickly learn how to engage the Japanese in foxhole warfare. It's full of archetypal characters (tough sergeant Lloyd Nolan, Brooklyn cabby William Bendix, lusty Mexican Anthony Quinn, and gravel-mouthed Lionel Stander) and well-staged battle scenes. There's even a battle-weary narration to provide authenticity and historical perspective. All around, a good grunt film. --Bill Desowitz

PT 109
VHS only

John F. Kennedy lived long enough to see this Hollywood account of his Navy career and his heroism following a ruthless attack by a Japanese ship on his small patrol craft. Cliff Robertson is an amiable choice to play Kennedy, though one won't find a lot of the late president's mannerisms in his performance. The key battle sequence, which finds Kennedy and his crew bloodied and battered while trying to stay alive in shark-infested waters, makes a big impression on young viewers. --Tom Keogh

MISTER ROBERTS
VHS, DVD

Henry Fonda re-created his Broadway hit for this 1955 film that was mostly directed by Fonda's frequent collaborator, John Ford (Young Mr. Lincoln, My Darling Clementine)--an ailing Ford was replaced at some point by Mervyn LeRoy--and the results are exceptionally fine. A perfect cast, including James Cagney's irascible captain, William Powell's thoughtful physician, and Jack Lemmon's Oscar-winning Ensign Pulver, give Fonda the right boost to portray his ennui-burdened officer with dignity, self-effacing humor, and not a trace of self-pity. A wonderful film. --Tom Keogh

BATAAN
VHS, DVD

Tay Garnett was a hard-nosed director who moved from studio to studio and genre to genre throughout the golden age of Hollywood. He never achieved the status, let alone the distinctive signature, of a Howard Hawks or Raoul Walsh; still, with talent, brashness, and cojones to spare, he was responsible for a slew of cheerfully vulgar entertainment, and several genuinely fine films.

WAKE ISLAND
VHS
 

Wake Island, a sandbar rising 21 feet out of the South Pacific, was among the first U.S. outposts to be hit by the Japanese, virtually simultaneously with Pearl Harbor. Wake Island the movie was among Hollywood's earliest responses to America's being attacked and drawn into WWII. The Marine Corps defenders of Wake became instant war heroes, akin to the martyrs of the Alamo. Nothing could be done to rescue or even to reinforce and resupply them, and they fought on through air attacks and naval bombardment for two weeks until, finally overrun, they were wiped out.

That searing historical context had a lot to do with the movie's impact in 1942, and the sight of the dark forms of enemy planes coming over the horizon for the first time still carries a shock. Wake Island's a decent film, and it doesn't dishonor its subject with sham heroics and grandstanding. But the New York Film Critics voted John Farrow best director of 1942, and that's a reach. The first half hour sets up the allegory of America as melting pot (there's even a corporal named Goebbels), establishes horseplay as the coin of democratic discourse (especially for gyrenes Robert Preston and the Oscar-nominated William Bendix), and fosters familiar friction between new commander Brian Donlevy and civilian construction supervisor Albert Dekker. Then shortly after a beaming Japanese peace envoy has stopped by for dinner, things get rough. The scenes of warfare are more than adequate, but they'd soon be outdone, sometimes in films much less worthy than Wake Island. --Richard T. Jameson

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